Content of the material
- The DSLR Cinematography Guide
- 12. How To Make A Microphone Stand Using Wood
- 14. Kids Mic Stand
- Is a Shock Mount Always Needed?
- Audio Chaos: Audio Chaos in the Digital Realm
- by Joe Hayes
- blimp mountYour browser indicates if youve visited this link
- Recording Recipes #9: Random Thoughts on Music and Recording
- by Curtis Settino
- Microphone Shock Mounts – FAQs
- What Should I Look for When Purchasing a Shock Mount? (Durability, Compatibility, Isolation, Etc.)
- What Is the Best Universal Shock Mount that Works with Most Microphones?
- Can I Build My Shock Mount at Home? (DIY)
- What Is a Pop Filter?
- Do All Microphone Shock Mounts Come with a Pop Filter?
- How Simmons Hexagonal E-Drums Shaped the 80sYour browser indicates if youve visited this link
The DSLR Cinematography Guide
Get your FREE copy of the eBook called “astonishingly detailed and useful” by Filmmaker Magazine! It’s 100+ pages on what you need to know to make beautiful, inexpensive movies using a DSLR. Subscribe to receive the free PDF!
12. How To Make A Microphone Stand Using Wood
For this DIY project, you will need some wood and this basically means that you will need woodworking equipment, unfortunately, you can’t use woodworking equipment without the skill. So, I would recommend this DIY project for only woodworking experts.
14. Kids Mic Stand
While doing some research, I stumbled upon this cute mic stand. It is ideal for the little ones. You can make this for your kid who is passionate about singing. This kiddies mic stand is very easy to DIY.
Is a Shock Mount Always Needed?
If you regularly work with live sound, for example, when recording vocals or instrumentals for your band, you might require a shock mount, especially if you’re playing a gig on a hollow wooden stage. You started doing your soundcheck, and your drummer is giving everything they’ve got while prepping for your performance. One of the band members is walking around the stage, still setting up bits and bobs. The keyboard dude taps his foot on the floor in rhythm like a metronome.
All these sounds and vibrations get transmitted through the mic stand and are picked up by your microphone’s diaphragm. You can even see the movement of these vibrations. Sometimes, this is so noticeable.
If you don’t believe me, you can go ahead and compare the two types of mounting yourself. You’ll notice that the shock mount will absorb the vibrations, and the mic will float freely inside the basket until it quickly settles down.
Another instance when you might need a shock mount is to prevent accidental contact with the microphone. This is common with streamers, gamers, musicians, and YouTubers. You could accidentally tap the mic stand or hit it with your instrument. If you’re recording from home, placing the mic on your desk, and doing many keyboard tapping on your PC during a game, you’ll still create vibrations that your mic can pick up. These sound distortions create a great deal of structure-borne noise when trying to make a clean recording.
Not every mic will need a shock mount, according to professionals. Most experts will advise you to look for a dynamic microphone with a humbucking coil (moving coil), which reduces electromagnetic interference. Regardless, that won’t save you from accidental bumps and taps, so think of a shock mount as your safety net.
Some microphone manufacturers like to include internal shock isolation or pop filters to help reduce plosives and shock when recording. Plosives are what we call the hard “t,” “p,” and “k” consonant sounds we use when talking into a microphone, which tends to create a popping sound when air passes through your mic.
To prevent this from happening, some microphones have built-in pop filters. Note that pop filters and shock mounts prevent two different types of unwanted noise. A shock mount reduces vibration, while a pop screen reduces plosives. When you’re buying a new microphone, always check if it has an internal pop filter. If not, make sure to buy a pop screen.
Audio Chaos: Audio Chaos in the Digital Realm
by Joe Hayes
Production techniques involving sound manipulation have evolved exponentially over the past few years as creativity, experimentation and the DAW, have paved the way for new forms of sonic abuse. Sound…
blimp mountYour browser indicates if youve visited this link
It consists of a PVC pipe which attaches to the microphone’s shock mount. Plastic gardening grid … seat tube using a standard mic clamp. For DIY microphone projects, we got you covered …
Recording Recipes #9: Random Thoughts on Music and Recording
by Curtis Settino
When overdubbing, perform your parts while blindfolded, or with minimal light. This will help you focus on the “sound”. Our brains tend to give most attention to visual stimuli. Only perform…
Microphone Shock Mounts – FAQs
Now that you have had a look at the microphone shock mounts, why not answer some commonly asked questions?
What Should I Look for When Purchasing a Shock Mount? (Durability, Compatibility, Isolation, Etc.)
The main thing you need to look for is the diameter of your mic. Usually, it’s listed in your product description when you first purchase it. However, if you don’t keep this sort of tedious documentation, you can always do a little Googling and find this information online. You won’t always come across universal shock mounts.
Next up, match the mic dimensions with the mic accessory you want to shop for. If they match, congratulations! It’s time to take a look at some other features. Durability is hugely important. The best mounts are made of metal or alloy and rarely from plastic. If you want to save money, however, you can always look for a plastic one.
Another feature to look for is a mic stand’s connection adapters. Microphone stands connect via a 5/8-inch thread adapter. There’s no point in getting an expensive shock mount if you can’t attach it to any microphone stands. The same goes for a boom arm. Look for a 3/8-inch adapter to be sure that your shock mount can attach to a boom arm. If you want to browse some of the best microphone stands, we have a review ready for you!
Pop filters are great for recording vocals. They prevent moisture from your mouth from entering the mic capsule and deteriorating in time. The main reason to get a pop filter is to reduce plosives, so if you can get your hands on one for free with a kit, take full advantage! Sometimes you can get a microphone accessory kit inclusive of a pop filter.
What Is the Best Universal Shock Mount that Works with Most Microphones?
Our top pick, of course! TheRycote InVision! This universal shock mount is made of quality material. It’s a go-to choice for studio mics. Some mic mounts like the Rode PG2-R Pistol Grip Shock Mount with Rycote Lyre Suspension even use the trademark material because of its durability!
Can I Build My Shock Mount at Home? (DIY)
Absolutely! It will cost you less than $15, and it’s inclusive of just a few bolts and nuts, which you can assemble in minutes. Take a look at the DIY video instructions and list of materials here!
What Is a Pop Filter?
Pop filters come in many shapes and sizes. They are used to prevent moisture from penetrating through the mic capsule, as well as plosive sounds, which are the consonants “t,” p,” “k,” and “s.” If you want to check if your mic can handle plosives without popping, try saying “Peter Pan” when you first start recording. Listen back to the recorded material, and if you hear a pop burst, don’t panic. Some of the best high-quality studio mics and even stage microphones can be sensitive to pop noises – nothing that can’t be fixed with a quick visit to a local audio accessories shop. Alternatively, some shock mounts we listed offer a free pop filter, so you won’t have to spend extra!
Do All Microphone Shock Mounts Come with a Pop Filter?
Sadly, not all mics have pop filters. While some stage microphones like the Shure SM58 featured in our best handheld portable microphone review have a built-in pop filter, many mics don’t include this little extra to prevent noise clips. Luckily for you, finding a pop filter isn’t difficult, and it’s super cheap, so you can quickly reduce unwanted plosive noise at a reasonable price.
How Simmons Hexagonal E-Drums Shaped the 80sYour browser indicates if youve visited this link
“The instrument being played may have been acoustic but the trend since the early ’60s had been towards close mic’ing and heavy electronic treatment … and had subsequently gotten his hands dirty finding DIY solutions for electronic issues he encountered …